{"id":6862,"date":"2024-12-19T13:03:31","date_gmt":"2024-12-19T13:03:31","guid":{"rendered":"https:\/\/motionpicturesound.de\/?page_id=6862"},"modified":"2025-02-15T15:53:10","modified_gmt":"2025-02-15T15:53:10","slug":"fieldrecording","status":"publish","type":"page","link":"https:\/\/motionpicturesound.de\/en\/fieldrecording\/","title":{"rendered":"Fieldrecording"},"content":{"rendered":"
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FIELD- & SOUNDEFFECT RECORDING<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"Wild soundscapes provide countless detailed information. It may be true that a picture is worth a thousand words, but it is also true that a natural soundscape speaks more than a thousand pictures.\"
<\/em>Bernie Krause, 2013<\/p>

An essential aspect of field recording is focusing on the details. In my recordings, I pay attention to the small nuances of the soundscape, the unexpected sounds, the interactions between noises from different sound sources, and the atmospheric mood created by the environment. This creates an immersive experience that allows the listener to dive into the sound world and perceive details that are often overlooked in everyday life.
I already recorded our environment by using various recording practices and capturing different sound effects. As part of my thesis at the Academy for Film and Television Baden-W\u00fcrttemberg, I focused on multichannel audio recording techniques and their sound aesthetics in cinema.\u00a0
I use all these recordings as a sound designer in my projects and offer them for sale.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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